8/31/2013

World Record For Taylor's Jewelry At Christie's

Elizabeth Taylor


























Elizabeth Taylor's legendary diamonds fetched record prices at Christie's Auction House on December 13, 2011 in Midtown New York. According to Forbes, Taylor's jewelry brought in nearly $116 million at auction, a world record for a private collection of jewels. Collectors and fans of the Hollywood actress packed Christie’s auction house for the chance to own one of Taylor’s prized possessions. The crown jewel of her collection was an iconic 33-carat flawless white diamond ring (Krupp Diamond), a gift from husband Richard Burton. Another Burton gift was a Bulgari emerald and diamond necklace, which sold for $5.4 million. Elizabeth Taylor wore many of her jewelry in her films (Boom, Ash Wednesday or Divorce).

Eighty earrings, necklaces, pendants and rings went under the gavel, including a diamond and sapphire ring, given to Taylor by Michael Jackson. It fetched $600,000. Experts called the event one of the most important jewelry auctions in a generation. It took Liz Taylor a lifetime to amass her jewelry collection. Christie’s said it is among the finest in the world. And as rich as Taylor’s jewels are, so are the stories that come with them. There was the Cartier diamond tiara, which she wore to the 1957 Academy Awards. It was a gift from her third husband, Hollywood producer Mike Todd. After a fierce bidding battle, the rare pearl necklace, known as “La Peregrina” which Queen Mary Tudor of England once owned, sold for a staggering price $10.5 million – a record for any pearl jewel. But for the well-heeled bidders, the legend of Taylor makes her jewels priceless.

Other sales of Taylor's art, clothing and memorabilia will be held in New York for another three days; part of the proceeds from all sales will go towards The Elizabeth Taylor AIDS Foundation.

Time capsule: Taylor & Burton

Elizabeth Taylor with Richard Burton



















Elizabeth Taylor & Richard Burton in 1964 at Lake Simcoe, Canada (the June 2013 issue of Zoomer Magazine, cover story)

World's Reaction Following's Taylor's Death

Elizabeth Taylor





















Sadly, Elizabeth Taylor has left us on 23.03.2011...God rest her in peace! We'll continue to love and honour her! Condolences to her family and to all who loved and cared for her!

THE WORLD'S REACTION FOLLOWING THE DEATH OF ELIZABETH TAYLOR

"Elizabeth's legacy will live on in many people around the world whose lives will be longer and better because of her work and the ongoing efforts of those she inspired."
— Statement from former President Bill Clinton and Secretary of State Hillary Rodham Clinton.

"I don't know what was more impressive her magnitude as a star or her magnitude as a friend. Her talent for friendship was unmatched. I will miss her for the rest of my life and beyond."
Shirley MacLaine.

"(Taylor) forever marked the history of the Seventh Art ... (her) Cleopatra remains unequaled ... (she was) devoted from the youngest age to a limitless passion for film."
Francois Fillon, Prime minister of France.

"I shall remember her as a woman whose heart and soul were as beautiful as her classic face and majestic eyes."
— Former Sen. John W. Warner.

"She was a true star, because she not only had beauty and notoriety; Elizabeth Taylor had talent. As a friend she was always, always there for me. I'll miss her for the rest of my life, but I was so lucky to have known her."
Liza Minnelli.

"She was passionate — and compassionate — about everything in her life, including her family, her friends, and especially the victims of the AIDS. She was truly a legend and we will miss her."
— Former First Lady Nancy Reagan.

"She was the last of the true Hollywood icons, a great beauty, a great actress and continually fascinating to the world throughout her tumultuous life and career."
Joan Collins.

"She was an incredible talent, and yes, she had those unforgettable eyes. I greatly admire her humanitarian efforts which have touched so many lives. Elizabeth was a very dear, generous and loving lady."
Eva Marie Saint.

"She's in heaven and she's in a heavenly place and she's happy."
Debbie Reynolds to "Access Hollywood."

"The whole world has been in love with Elizabeth Taylor and I was fortunate enough to be one of them."
George Hamilton.

"She really, I think, is like the last of the movie stars. She said that there had never been a time in her life when she wasn't famous."
Barbara Walters on "The View."

"Elizabeth Taylor was the last of the great glamour stars. She was the longest-running soap opera in history, and represented all the allure and tragedy that attracts people to Hollywood."
— British director Michael Winner.

"She earned our adoration for her stunning beauty and for being the very essence of glamorous movie stardom. And she earned our enduring love and respect for her compassion and her courage in standing up and speaking out about AIDS when others preferred to bury their heads in the sand."
Elton John.

"It's the end of an era. It wasn't just her beauty or her stardom. It was her humanitarianism. She put a face on HIV/AIDS. She was funny. She was generous. She made her life count."
Barbra Streisand.

"Elizabeth was the last great movie star. And a great human being. What I'll always remember about Elizabeth was her laugh. She would walk into a room looking like a princess and suddenly there would be this cackle that filled the room that would crack us all up. I'm so glad to have known her. It's a very sad day for me."
Barry Manilow.

"Elizabeth Taylor was the last of the Hollywood greats, and a fantastically charming woman."
George Michael on Twitter.

"Elizabeth is known throughout the world as an Academy Award-winning actress, but what is less known is her devotion to philanthropic causes and in 1980, she received the center's highest honor, its Humanitarian Award. She will be sorely missed."
Rabbi Marvin Hier, founder and dean of the Simon Wiesenthal Center.

"Elizabeth, thank you for all your help in the battle for HIV and AIDS. You will be missed by the world."
Magic Johnson on Twitter.

"She leaves a monumental legacy that has improved and extended millions of lives and will enrich countless more for generations to come."
— Statement from amfAR, The Foundation for AIDS Research.

"She was the most amazing woman. When she walked into a room, she just had the most amazing presence about her. She was just incredible."
— Designer Elizabeth Emanuel.

"Elizabeth and I began our careers about the same time at MGM. Throughout her tumultuous life, she will be remembered for some unique and memorable work. And she will be ever remembered and appreciated for her forthright support of amfAR."
— Actress Angela Lansbury.

"In a career spanning more than 70 years and 50 films, her talent endured the test of time and transcended generations of moviegoers. She truly was an American icon, whose legacy went far beyond her acting skills, most notably in her efforts to lead the battle against HIV/AIDS."
Chris Dodd, chairman and CEO of the Motion Picture Association of America.

"She was just a magnificent woman. She was a great broad and a good friend."
Whoopi Goldberg on "The View."

"It's a terrible loss. A unique talent and a singularly spectacular individual."
— Actor Martin Landau, who appeared with Taylor in "Cleopatra."

"Liz Taylor was an amazing woman and screen legend, she was an incredible friend to my brother at his side through some of his most difficult times and of course loved by his children and our family. She will live on in our hearts forever, my prayers go out to her family."
La Toya Jackson.

"We were honored to work with Elizabeth Taylor on 'General Hospital.' Her portrayal of Helena was a defining moment for the show and an extraordinary experience for everyone involved."
— Statement from the soap opera "General Hospital."

"I loved her. She hosted a huge party when 'Hello Dolly' first opened in Los Angeles. I remember the lavender roses and the aura of the personality. She said when you find the particular love of your life it is never forgotten. We loved you too Elizabeth."
Carol Channing.

"I was on Broadway with 'Sugar Babies' simultaneously while Elizabeth was appearing in 'Little Foxes.' We would meet occasionally after shows. I will never forget those eyes or that laugh."
Rip Taylor.

"She was a marker of our time, my time. It seems like yesterday that I taught a beautiful 14-year-old Elizabeth how to swim at the Beverly Wilshire Hotel, more beautiful, more voluptuous than Miss America. I will miss her."
Esther Williams.

"Liz was a dear friend. Thoughtful... generous... and forever beautiful. She was a great legendary lady of Hollywood and she will be mourned worldwide. My heartfelt prayers and thoughts are with her family."
- Julie Andrews, in a statement to Access Hollywood.

"I am so sorry to hear that this great legend has passed. I admired and respected her not only as an actress but for her amazing and inspiring work as an AIDS activist. She was one of a kind."
- Madonna, in a statement to Access Hollywood.

"A woman who rarely did things in half measure. Elizabeth lived her life to the fullest, whether by loving to the fullest or while also giving us some of the most memorable performances ever on film. A devoted mother many times over and even very briefly a step mother to my brother Todd and myself, loyal to the lifelong friends surrounding her- even with all this she found time to become one of the earliest champions for those living with HIV. If my father had to divorce my mother for anyone- I'm so grateful that it was Elizabeth. This was a remarkable woman who led her life to the fullest rather than complacently following one around. She will be missed but never forgotten."
- Carrie Fisher, in a statement to Access Hollywood.

"A legend - a leader in the fight against AIDS - a beauty inside and out - I will miss her."
- Rosie O'Donell, in a statement to Access Hollywood.

"Elizabeth was the definition of greatness on all fronts. I loved her. She will be incredibly missed."
- John Travolta, in a statement to Access Hollywood.

"Elizabeth Taylor was a great friend, a great star and one gutsy woman. She was so special. You won't see the likes of her again... If Elizabeth took on a battle, she took it on 100%. She was first major celeb in the AIDS battle and she made it her cause..."
- Larry King on Twitter

"She was a special friend to me. Her loyalty knew no bounds. Her loss will be felt tremendously by those she touched both professionally and personally."
- Robert Wagner, in a statement to Access Hollywood.

"She was an illuminator. She put human faces on issues. With her soft voice coming from that tiny frame, she held forth the giant purpose of the true meaning of love; that we are all equally valuable. With one simple movement, pulling her ever famous jewels from that beautiful face, she opened the hearts of the world not just to the condition of HIV/AIDS as she had intended but ultimately to human rights as a whole. She stood in her grace and candor and simply said the truth; that we are one, a world that must understand and accept itself. The world will not be without Dame Elizabeth Taylor, the world is becoming as she envisioned it; freer, and therefore she is not gone."
- Sharon Stone, in a statement to Access Hollywood.

"RIP Elizabeth Taylor: thank you for your talent, AIDS fundraising, and fabulousness. There is nothing like a Dame"
- Nia Vardalos on Twitter.

"Elizabeth Taylor, when love was passionate, hair was always coiffed, Acapulco was sizzling, and dreams we're there for the taking"
- Sandra Bernhard on Twitter.

"RIP to the glamour goddess Elizabeth Taylor. Thank you for sharing your life with us. Thank you for the memories"
- Khloe Kardashian on Twitter.

"Elizabeth Taylor, rest in peace. What an extraordinary woman. JUST talking about 'furious love' yesterday. Xxxxxx"
- Kate Walsh on Twitter.

"Elizabeth Taylor was truly one of the greats. She'll certainly be missed."
- Joy Behar on Twitter.

"Elizabeth Taylor RIP"
- Ricky Martin on Twitter.

"Elizabeth...thank u for the lessons u taught me about life..suffering and Joy....you are the BRIGHTEST STAR in the universe..Eternal love"
- Kirstie Alley on Twitter.

"Rest in peace Elizabeth Taylor. Thoughts and prayers to your family and loved ones. You will be missed."
- Denise Richards on Twitter.

"Rest in peace, Elizabeth Taylor. You are a prism & will live on through all the good you did while you were with us."
- Alyssa Milano on Twitter.

"R.I.P. Elizabeth Taylor an incomparable legend who will live forever."
- Mariah Carey on Twitter.

"Elizabeth Taylor was an impactful person in this industry and on society as a whole. I specifically admire her charitable efforts including bringing early awareness to HIV/AIDS. Most memorable is her steadfast loyalty and unwavering friendship to my late brother Michael Jackson. Liz provided a sense of relief and comfort to my brother at various difficult times in his life, and I appreciate that, may she rest in peace."
- Tito Jackson, in a statement to Access Hollywood.

"RIP Elizabeth Taylor. She was such an incredible woman inside and out and an inspiration to me!"
- American supermodel Cindy Crawford said on her Twitter.

"RIP Dame Elizabeth Taylor, surely the last of a breed..."
- British actor Stephen Fry, who has more than 2.37 million Twitter followers.

"So sad to hear about Elizabeth Taylor. She was so beautiful, such an inspiration and an icon."
- Model Paris Hilton, writing on Twitter.

"RIP Dame Elizabeth Taylor.....Like a pure white diamond you'll shine on and on and on,"
- Kylie Minogue on Twitter.

"Elizabeth Taylor. Grace style, elegance, legend. You had Beauty the world has ever seen. No words can describe the loss of you."
- tennis star Serena Williams on Twitter.

"I met Elizabeth Taylor several times. She was witty and self-deprecating, which I found surprising and delightful. She loved to laugh."
- Steve Martin said on Twitter.

"National Velvet, Cleopatra, Who's Afraid of Va Wolf, so many memories of a Hollywood icon. Happy she was w/ her family. RIP Liz,"
- said journalist Katie Couric on Twitter.

"Such a sad when a legend like Elizabeth Taylor pass away. fitting that it's gloomy&rainy in ny. A place of sadness"
- tweeted 'Real Housewife' Bethenny Frankel.

"RIP elizabeth taylor, a great actress and a great beauty, who's formidable contributions to both film and charity will always be remembered."
- Actress Zooey Deschanel said on Twitter.

"So VERY shocked and saddened to hear of the passing of Dame Elizabeth Taylor. A true Hollywood legend and humanitarian and friend. RIP."
- Fellow Oscar-winner (and current "Celebrity Apprentice" contestant) Marlee Matlin on Twitter.

"Our loss in the motion picture business with Elizabeth Taylor's passing is momentous. She was a lady who gave of herself to everyone. I know I consider it a great personal loss."
- Mickey Rooney, who starred opposite Taylor in "National Velvet."

"She was and will always be an icon within the film and entertainment industry and she nurtured me and kept me tenacious with my continuing commitment and work regarding AIDS. I will miss her as I am certain so many that she befriended passionately."
- Dionne Warwick.

“She’s the greatest human being I’ve ever known. She used her celebrity not just for fame but to change the world. Elizabeth gave AIDS a face and that’s when people started accepting it as a disease.”
- Dr. Arnold Klein, Taylor’s longtime friend and doctor, tells TMZ.

“I am so saddened about the passing of Elizabeth Taylor! She will always be my idol!”
- Kim Kardashian.

“My biggest “I can’t believe this is happening” moment: Rest in peace, Divine Liz.Thank you for your beauty, true glamour, and for all that you did for people with HIV. #LizTaylor”
- Dita Von Teese.

“Such a sad when a legend like Elizabeth Taylor pass away. Fitting that it’s gloomy&rainy in ny. A place of sadness”
- Bethenny.

“I am devastated. The Queen has died. Her talent, beauty, dedication to curing AIDS, love of love&her violet eyes will live on.”
- Rose McGowan.

“Sad to hear of Elizabeth Taylor’s death. She was the 1st major celebrity to join me in the fight against AIDS when it wasn’t a popular cause”
- Joan Rivers.

“R.I.P to beautiful , timeless Liz Taylor . I Had to chance to meet her in a restaurant in L.A . What a charisma. God bless.”
- Gilles Marini.

"The shock of Elizabeth was not only her beauty. It was her generosity. Her giant laugh. Her vitality, whether tackling a complex scene on film or where we would all have dinner until dawn. She is singular and indelible on film and in our hearts."
- director Mike Nichols.

"So sad to hear about my beautiful friend Elizabeth Taylor. She was a great human being."
- Sir Michael Caine.

"I personally saw her sitting on the floor next to [terminally] sick people, holding their hands and comforting them. She was beautiful, super talented as an actress, a dear friend. I will miss her forever."
- designer Valentino Garavani.

Thousands of ordinary Twitter users also posted news about Taylor's death and paid tributes of their own and "RIP Elizabeth Taylor" was a trending topic on the service.

Elizabeth Taylor in "The Sandpiper" (1965)

Elizabeth Taylor in "The Sandpiper" (image from JSR Pages)





















REVIEW:
In the mid 60's, the Taylor-Burton couple continued to attract the public's attention. The world still remembers images with Taylor-Burton passing through the European capitals like they were maharajahs: Rolls Royce cars and yachts, 200 suitcases, secretaries and hairstylists, children with their nannies and teachers, lawyers, maids, doctors, personal photographers, dogs, cats and body-guards. This was the huge Taylor-Burton entourage. No passport was required ever from Elizabeth Taylor, because she was so loved and known by everybody, everywhere. When they would check in a  hotel, they used to pay for three entire floors for their entire entourage. Taylor-Burton always chose to accommodate in the middle floor, to avoid the media and avoid being heard by other people in the hotel. If they went to a restaurant, they would never make a reservation and the restaurant's owners had to provide meal for the couple and their animals. The tips they gave to restaurants and hotels were a stuff of legend, known by all who worked in the industry. After the documentary about London, Elizabeth Taylor chose not to play in any movie, anymore. Instead she accompanied Richard Burton in his projects. After Burton finished "Becket" starring opposite Peter O'Toole, Taylor-Burton went to Mexico, where Burton was to play in "The Night of the Iguana" by John Huston. Here, in Puerto Vallarta - at that time, a small village on the Pacific coast -, the famous couple bought a house (Casa Kimberley). And then...an unprecedented thing happened: because Taylor-Burton were residents, Puerto Vallarta became a great seaside resort! In the spring of 1964, Burton began his tour with "Hamlet" by William Shakespeare in Canada and the U.S. Although not part of the project, the involvement of Elizabeth Taylor in the production, made "Hamlet" the greatest success on Broadway. Also, in March 1964 in Montreal, Elizabeth Taylor and Richard Burton got married, 9 days after Eddie Fisher had agreed to grant her a divorce. In New York, huge crowds were waiting at the entrance of the theater just to get a glimpse to Taylor-Burton and the whole downtown was blocked. Frank Sinatra testified that he had never seen in his entire life something like this, and he knew what he was saying! Elizabeth Taylor got a taste for theater and she and Burton gave a performance of poetry together in 1964 on Broadway. Richard Burton seemed to have everything a man could want: a solid career, the most beautiful woman in the world as his wife and money, especially money, lots of them... Their new project together ("The Sandpiper") promised nothing good from an artistic point of view...but it brought to both of them millions of dollars!

FILM TITLE
"THE SANDPIPER" (U.S.A./M.G.M./1965)

PROMO
"You told her about me? How could you tell anyone about me...much less your own wife?"
She gave men a taste of life that made them hunger for more!
It was the right thing. It was the wrong thing. It was the only thing their hearts would allow.
An Adult Love Story

OVERVIEW
A beautiful temperamental woman meets a married and frustrated priest. All in all, this is what happens in "The Sandpiper", a film that got its title from an injured bird with the same name, trying to resume her flight, after Taylor took care of her. Magnificent music and image! The title song - "The Shaddow of Your Smile" - has long become an international favourite for all the generations. Today, the film can seem downright boring and long, but at the time of its release it broke all records at the box office and it pulled out of their homes all the TV watchers in the world back into the theaters. The only explanation is the magic power exerted on the public by Taylor-Burton, for the film's success had nothing to do with the artistic performances of the actors; the script was poor and the film director seemed to had fallen asleep...Taylor (Laura Reynolds) is a bohemian artist who lives with her (out of wedlock) child, Mason (Danny Reynolds), in a fabulous villa on the beach at Big Sur, one of the most spectacular areas on the California coast. How can she afford to have such a home, an artist who doesn't care about money... the script forgets to explain. Taylor wants to keep her son away from the education provided in American public schools and teaches him herself. This brings her into a conflict with the local authorities. Mason is always getting into trouble, having no other ideas about morality, other than his nonconformist mother teaches him. When Thatcher (Judge Thompson) deliberates that Mason must either go to school or is to be taken away from her, Taylor sends Mason at a private school run by an episcopelian priest - Richard Burton (Dr. Edward Hewitt), who is married to Eve Marie Saint (Claire Hewitt) and has two children. Mason astonishes Saint and Burton with his knowledge of English literature and he begins to adjust to school without any problems. Taylor is furious that she can not educate Mason herself and her anger against Burton gradually turns into a passionate love, as everyone in the audience waits to finally happen. The love scenes between Taylor-Burton were hot for that time. Taylor is surrounded by her hippie friends, all of them bohemian artists, including Charles Bronson (Cos Erickson), a sculptor who makes a nude statue of Taylor. Burton is torn by guilt of his illicit lovemaking to Taylor. Unable to bear this guilt, he confesses to his wife. The new situation makes Burton a model manager and a fighter against hypocrisy, fighting the local politicians and making public his relationship with Taylor. That being the case, Taylor decides to separate from him. Burton, in turn, decides to separate from both his wife and mistress, and to leave his job and retire somewhere to regain his faith and morality. Crossed lovers all over the world as well as Elizabeth Taylor's fans will be thrilled to see such a film, but otherwise it is quite inexplicable how such a superficial blockbuster could have been seen by so many people everywhere and continues to be! But perhaps this was - and still is - the key to success in the film industry...

CAST
Elizabeth Taylor (Laura Reynolds), Richard Burton (Dr. Edward Hewitt), Eva Marie Saint (Claire Hewitt), Charles Bronson (Cos Erickson), Robert Webber (Ward Hendricks), James Edwards (Larry Brant), Torin Thatcher (Judge Thompson ), Tom Drake (Walter Robinson), Morgan Mason (Danny Reynolds), Peter O'Toole (voice).
DIRECTED BY
Vincente Minnelli.
SCREEN PLAY
Martin Ransohoff, Irene Kamp, Louis Kamp, Dalton Trumbo, Michael Wilson.
PRODUCED BY
Martin Ransohoff, John Calley.
CINEMATOGRAPHY
Milton Krasner.
MUSIC
Johnny Mandel.
COLOR
Metrocolor.
DURATION
117 minutes.
GENRE
romance, drama.
PRODUCTION DATES
between September 1964 - December 1964.
RELEASED
June 1965.

NOMINATED AT
- Golden Laurel for Best Actress (Elizabeth Taylor); Golden Globe for Best Soundtrack;
AWARDS
- Oscar for Best Music ("The Shadow Of Your Smile" by Johnny Mandel); Golden Laurel for Best Music, Grammy for Best Music.

TRIVIA
- Taylor received $1 million for her part plus 10% of the gross. Burton was given $750,000 and probably the audience should have received money too for coming to see the movie...On the contrary, the audience paid lots of money and the film was number 1 at the box office;
- With this film, Richard Burton enters for the first time the "Top Ten" at the box office, directly at position 1, while Taylor goes down at 11!
- Exteriors were filmed in California for 8 weeks and then filming moved to France as Taylor and Burton could not work more than 2 months in the U.S. due to taxes; the rest was filmed in Paris;
- California filming took place in Big Sur and the Coast Gallery in Monterey;
- This was the first film of Taylor-Burton since they were legally married, and the audience was eager to see them;
- Taylor had been absent from the big screens in the last two years, but Burton had been working constantly in "The Longest Day", "Becket", "The Night of the Iguana" and "Hamlet";
- "The Sandpiper" premiered at Radio City Music Hall in New York and despite the acid chronicles, the public rushed to see Taylor and Burton;
- The music from the movie is really gorgeous and it was taken over by all the orchestras in the world and played in all the restaurants and it continues to be sung today;
- The character of Laura Reynolds takes care of a bird ("the sandpiper") that has a broken wing, and the bird stays in the house until it heals and can fly again; the bird is used as a symbol of the film, suggesting life and freedom;
- German singer Nico was an extra in this film;
- Charles Bronson is playing a beatnik sculptor;
- Sammy Davis Jr. was originally hired to play the role of Charles Bronson at the suggestion of Elizabeth Taylor, but had to withdraw due to an engagement in Las Vegas and because it was unthinkable at the time to imagine a love affair between a white woman and a black man;
- Raquel Welch was understudy for Elizabeth Taylor in a few scenes on the beach;
- The child in the movie was the son of actor James Mason;
- The mahogany sculpture that depicts naked Elizabeth Taylor was destroyed when it was discovered that it was invaded by termites.

Watch TRAILER aici.

Watch MAKING OF THE SANDPIPER aici.

"Cleopatra" - in theatres again !!!

Elizabeth Taylor in "Cleopatra"


































When released in 1963 "Cleopatra" was the number 1 movie at the box office. For example, the Los Angeles premiere run of "Cleopatra" opened at the Pantages Theatre on June 19th, 1963 and ran for 72 weeks!!! After 50 years, Cinemark Holdings, Inc., one of the world's largest motion picture exhibitors, announced a special in-theatre performance of the 1963 Twentieth Century Fox masterpiece "Cleopatra" in over 120 Cinemark theatres across the USA.

"Elizabeth Taylor In London" (1963)


Elizabeth Taylor


























REVIEW:
During the first years of the '60s, a star of Elizabeth Taylor's magnitude couldn't make tv films or commercials, simply because it was below her status or her dignity, it wasn't fashionable. Only "has been" actors who couldn't have contracts anymore in featured films were doing television (with few exceptions, obviously). Television productions were still considered minor projects. Only in the late '60s, Hollywood and the big television companies began to work together. But in the late '50s and early '60s, Hollywood stars and big colored movies that ran on huge theater screens were the only weapons that could help the film industry survive in the war against television. However, one thing was already happening: cultural tv shows with big movie stars. In those years, tv companies put a high value on cultural entertainment and shows, which had great ratings, especially as tv viewers had the opportunity to stay at home and see their movie idols playing themselves. Big stars had nothing against cultural projects on TV shows. CBS Television had started a cultural project by presenting the major tourist cities to its tv audiences. The series began with "A Look At Monaco" and "Tour Of The White House" and has proven successful once their viewers could see Grace Kelly in the first episode and Jacqueline Kennedy in the second. When it came to London, the producers were well aware that they couldn't ask Queen Elizabeth to be their guide. Instead they turned to England's other Elizabeth: Elizabeth Taylor. Her fee for the one hour episode was fabulous: $250,000, the most expensive ever offered to a star on television.

FILM TITLE
"ELIZABETH TAYLOR IN LONDON" (USA/ CBS/ 1963)
PROMO
"The most beautiful woman in the world will present the most beautiful city in the world" (CBS).

OVERVIEW
"I'm an adventurous nature. There are so many doors to be opened, and I am not afraid to look beyond them" - says Elizabeth Taylor in this film in which she plays herself, showing tv viewers all the attractions of the British capital in 1963. The London tour begins with a shining Elizabeth Taylor, wearing a Dior housedress, on the terrace of the Dorchester Hotel. Born in London, she shares her own vision of her native city. On the music composed by John Barry (author of the music from the James Bond films), we see the average Londoners, hear excerpts from famous people who were born and lived here (from Shakespeare to Sir Winston Churchill) and, of course, we come to see the historical attractions by visiting the Church of St. Mary-le-Bow, the Whittington Stone, the Parliament on the banks of the Thames, the Billingsgate Fish Market, the Tower of London and the "sinister" places frequented by Jack the Ripper. Elizabeth Taylor leads us to Chelsea, into the Battersea Park, to the Globe Theatre and we have the opportunity to see Judi Dench and Ian Richardson live on stage in "A Midsummer Night's Dream" by Shakespeare. Then we hear Elizabeth Taylor reciting excerpts from "Hamlet". Later on we are introduced into a classic London club and we walk through the parks and gardens of London. An interesting part of the film is a tour to the Hampstead district, the birthplace of Elizabeth Taylor, where she lived until 1939, and we even get to see the house where she was born. This episode was a big success and the composer was nominated for an Emmy.

CAST
Elizabeth Taylor, as herself.
DIRECTED BY
Sid Smith.
SCREEN PLAY
Lou Solomon and S.J. Perelman.
PRODUCED BY
Phil D'Antoni, Norman Baer and Sid Smith.
CINEMATOGRAPHY
Otto Heller.
MUSIC
John Barry.
CONDUCTOR
Johnnie Spence. Black and white
DURATION
58 minutes.
GENRE
documentary, travel, culture.
RELEASED
October 1963 on CBS and Christmas 1963 on BBC.

Elizabeth Taylor

























MUSIC AND SOUNDTRACK
1. Elizabeth
- Music composed by John Barry.
2. London At Dawn
- Elizabeth Taylor speaking about "Westminster Bridge" by William Wordsworth.
3. The London Theme
- Music composed by John Barry.
4. Lovers and Browning
- Elizabeth Taylor reciting "Portuguese sonnets" by Elizabeth Barrett.
5. Pitt's Speech
- Elizabeth Taylor narrates phrases from famous politicians' speeches.
6. Jazz Waltz
- Music composed by John Barry.
7. Elizabeth Waltz
- Music composed by John Barry.
8. Queen Elizabeth I at Tilbury
- Elizabeth Taylor reads phrases from a speech of Queen Elizabeth I.
9. English Garden
- Music composed by John Barry.
10. Queen Victoria
- Elizabeth Taylor reads a few pages from the diary of Queen Victoria.
11. The Fire Of London
- Music composed by John Barry.
12. Churchill's Speech
- Excerpts are played from the speeches of the Prime Minister.

NOMINATED at
- Emmy Award for the best television music (John Barry).

TRIVIA
- After the success with this episode, the producers Philip D'Antoni and Norman Baer decided to resume it, this time in Rome, with Sophia Loren as tv host for a fee of $100,000. The Italian actress shows the tv viewers the beauties of the eternal city, from the Trevi Fountain to the Coliseum, the city's narrow streets and its famous gardens, accompanied by Marcello Mastroianni. John Barry was asked to write the music again, but Sophia Loren opposed, believing that an English composer can not capture the charm of Italy. Producers brought Sophia Loren a tape with a song named "Secrets of Rome" and asked her to listen to it without telling her who the composer was. The actress immediately agreed, saying that the music was very good and that it was certainly composed by an Italian. That Italian was, of course,...John Barry !
- After finishing this production, Elizabeth Taylor chose not to play in any film anymore, accompanying Richard Burton on the set of his films in England and Mexico, for "Becket" and "The Night of the Iguana". Later she helped him with the triumphant tour of "Hamlet" in Canada and U.S.A.


Elizabeth Taylor in London


























See MOVIE CLIP here.

Elizabeth Taylor in "The V.I.P.'s" (1963)

Elizabeth Taylor in "The V.I.P.'s" (image from JSR Pages)




















REVIEW:
At the time of the start of this film's production, Taylor and Burton were the planet's most famous couple. They had started their stormy love affair on the set of "Cleopatra" in Rome, and "Cleopatra" was still not released. The Vatican had accused Taylor of "erotic vagrancy", and the U.S. Senate were about to introduce a law to ban Taylor and Burton ever put foot again in America. The Taylor-Burton affair was so notorious that it reached all the levels of the Western society. When the publicist Warren Cowan visited the White House, Jacqueline Kennedy asked him: "Warren, do you think Elizabeth Taylor will marry Richard Burton?".

Producer Anatole de Grunwald, a friend of Richard Burton's and the man who had given Burton his first appearance on the big screen in "The Last Days of Dolwyn" (1949), wanted to make a movie, so that he could take advantage of Burton's recent notoriety and of the the immense publicity of "Cleopatra" and he wanted to release the film before "Cleopatra"! De Grunwald wanted Sophia Loren in the role of the runaway wife in "The VIP's", although he knew that Elizabeth Taylor was the only actress who could guarantee a universal box-office success, but her recent tracheotomy and her frequent health problems during filming "Cleopatra", made Elizabeth Taylor a risk to any studio. She could no longer be assured, especially after Lloyd's had lost millions of dollars due to Elizabeth Taylor's illnesses. But Richard Burton knew very well that the name of his lucky star was Elizabeth Taylor, and de Grunwald decided to risk, knowing Taylor's ability to attract audiences into the theaters. A risk that would bring him 5 times more money than he invested! "Sophia can stay at her home in Rome, I'll make this movie" said Elizabeth Taylor and in December 1962 she went to London to film this production. Taylor was paid $1 million and Burton $500,000, plus the appropriate percentage of revenues for both. "The VIP's" was a new blockbuster that cost 3.3 million dollars, a piece of cake, judging by the standards of "Cleopatra" ...

The marital drama in the movie was almost a real life copy-paste of the two stars: Burton, with a guilty conscience, was unable to choose between Taylor and his wife. While Burton was staying at the Dorchester Hotel together with Taylor, Sybil Burton and their two daughters lived in another part of London. Burton was stressed and drank massively, oscillating between wife and mistress. Finally, after five weeks from the start of the film, Burton and Sybil decided to divorce, and as Burton said, he was ready to make an honest woman out of Taylor. Based on the play by Terence Rattigan's about chance, about how people can change their destinies during a flight delay (due to a fog at Heathrow), the film had an all-star cast: Orson Welles, Louis Jourdan, Elsa Martinelli, Rod Taylor, Maggie Smith, Margaret Rutherford and, of course, the Taylor-Burton couple. The Roman scandal moved to London, in a lush setting and the drama behind the screen was far more interesting than the drama in the movie!

The beginning of the film has the gift to fascinate everybody. This is what the public sees on the big silver screen: Rolls-Royce cars, red carpets leading to the VIP Lounge from Heathrow airport, camera flashes, champagne on ice, elegant hats, martini and cognac glasses, expensive cigarettes, all these in order to make the public want to be a part of the fascinating world of Elizabeth Taylor and Richard Burton.
The film was inspired by a true story: Vivien Leigh supposedly wanted to leave her husband, Laurence Olivier, and flee with her boyfriend, Peter Finch. The flight was delayed by the fog at Heathrow and Vivien Leigh changed her mind...

From this story, Rattigan has developed a web of intrigue, with a group of people with their destinies, forced to be in the same place at the same time because of the London fog: a filmmaker must leave England to escape taxes, a duchess is going to work in America to get the money to support her castle, an industrialist is on the verge of bankruptcy etc...Not incidentally, "The VIP's" resembles "Grand Hotel" (1932), because M.G.M. initially wanted a remake of this film that starred Greta Garbo, John Barrymore, Wallace Beery and Joan Crawford about a story of a Berlin luxury hotel with a diversity of guests, whose steps and destinies intersect during their stay there.

Anatole "Tolly" de Grunwald, the film's producer used to say he liked beautiful films about wealth and luxury and he got exactly that: the tycoon Richard Burton and his sparkling with diamonds wife Liz Taylor, both have dinner with rich friends on a huge yacht; Louis Jourdan has expensive costumes and plays poker; the Italian actress Elsa Martinelli is a rising diva; Margaret Rutherford is the Duchess always at war with her hats; Rod Taylor fights to save his tractor factory and Orson Welles is a film mogul always running to avoid taxes.

De Grunwald planned the production to last 10 weeks, wanting to finish it before the release of "Cleopatra". The filming began even before the end of the production at "Cleopatra". "The VIP's" was ready three months after the premiere of "Cleopatra" and it was a mega box office hit in America, in Europe and all over the world. The public simply could not get enough of Elizabeth Taylor and Richard Burton.

FILM TITLE
"THE V.I.P's"/"HOTEL INTERNATIONAL"/(U.S.A. - United Kingdom/M.G.M./1963)

PROMO
"The love story of the modern times" (M.G.M).
After three years of absence from the big screen, in 1963 Elizabeth Taylor is back with two movies, two blockbusters, both on top at the box office: "Cleopatra" and "The VIP's. Her fame is universal, and the press reported that only three people were known by absolutely everyone, in every country in the world: the Pope, the Queen Elizabeth and Elizabeth Taylor. The Taylor-Burton couple is the atraction of this film and the reason of its huge financial success, so they both do what is expected of them: they are beautiful, elegant and elegantly suffering. Taylor manages to deliver a great nervous tension and a voluptuous appearance.

OVERVIEW
When a dense London fog paralyzes the air traffic, the lives of several people are profoundly affected. As the title says, they all are part of the social elite. Elizabeth Taylor wants to leave her husband, who is an enormously wealthy tycoon (Richard Burton), in favor of a playboy (Louis Jourdan). A film producer (Orson Welles) hopes to leave London with his new Italian starlet (Elsa Martinelli) to avoid paying taxes. An Australian businessman (Rod Taylor), accompanied by a lovely and devoted secretary (Maggie Smith) is eager to get to New York to avoid the bankruptcy of his firm. An impoverished aristocrat, a nonconformist duchess (Margaret Rutherford) reluctantly goes to Florida to earn money, because somehow her castle must be maintained. Before the fog goes away, the lives of these characters intersect, and the audience will witness the drama with unexpected twists.

CAST
Elizabeth Taylor (Frances Andros), Richard Burton (Paul Andrew), Louis Jourdan (Mark Champselle), Elsa Martinelli (Gloria Gritti), Margaret Rutherford (Duchess of Brighton), Maggie Smith (Miss Mead), Rod Taylor (Les Mangrum) Orson Welles (Max Buda), Linda Christian (Miriam Marshall).
DIRECTED BY
Anthony Asquith.
SCREEN PLAY
Terence Rattigan, after his own play.
PRODUCED BY
Anatole de Grunwald, Roy Parkinson.
MUSIC
Miklós Rózsa.
CINEMATOGRAPHY
Jack Hildyard.
COLOR
Metrocolor.
DURATION
119 minutes.
GENRE
drama, romance.
PRODUCTION DATES
between January to March 1963.
RELEASED
September 1963.

NOMINATED at
- BAFTA for best cinematography;
- Golden Globe for best supporting actress (Maggie Smith).
AWARDS
- Oscar for Best Supporting Actress (Margaret Rutherford);
- Golden Globe for Best Supporting Actress (Margaret Rutherford);
- Golden Laurel for Best Supporting Actress (Margaret Rutherford).

TRIVIA
- the jewelry worn by Elizabeth Taylor in the film were from her personal collection; the emerald brooch was given to her by Richard Burton and the tiara from the early scenes was given to her by Mike Todd;
- the television man David Frost plays a role as a...television reporter;
- Margareth Rutherford, the classic interpreter of Miss Marple is the one who garnered applauses from the critics and won the Oscar;
- Maggie Smith, a young actress, was almost at her debut in films and her career took a steady upward path;
- in many countries, "The VIP's" premiered ahead of "Cleopatra";
- with this film, Elizabeth Taylor has restored her prestige as a serious professional actress, after the huge scandal of "Cleopatra";
- despite her health risk, the studios offered Elizabeth Taylor so many roles that she could have played in more than 5 films a year for a decade ahead;
- in the next few years Taylor chose to let Burton be "the first violin", being practically Richard Burton's best publicity agent.

Watch TRAILER here.

Elizabeth Taylor in "Cleopatra" (1963)

Elizabeth Taylor in "Cleopatra" (image from JSR Pages)


REVIEW:
How could the highest grossing film of 1963 - 1964 be also considered the biggest financial disaster? Perhaps if we analyze the film's budget, which had initially been only $2 million and eventually came up with over $45 million (more than $320 million in adjusted value inflation) and if we learn that the shooting lasted for years...then we understand this paradox. And if we remember about the almost lethal disease of Elizabeth Taylor, about the changes of the directors and cast, about the fact that the shooting moved from London to Rome, plus countless rewrites of the script...perhaps we'll get a better look at this epic production. And above all this we have to add the scandal of the century, the story of the universaly publicized adulterous love affair between Elizabeth Taylor and Richard Burton and then and only then we'll have the perfect recipe for both success and disaster. Despite the numerous Oscars and its big box office success, the film was so expensive that it could not possibly recover its costs immediately! This paradox was precisely what happened when 20th Century Fox released "Cleopatra" in 1963.

Initially, Fox wanted to release "Cleopatra" in March 1960. Buddy Adler and Spyros Skouras (the studio bosses) wanted an "economy" movie with a $2 million budget and with one of their contract actresses: Joan Collins, Suzy Parker or Joanne Woodward. However, the film producer, Walter Wanger, wanted a big budget super production. He aimed to convince Skouras and Adler of his vision, showing them the film sketches (for this Wanger had hired John DeCuir). One afternoon in February of 1959, Wanger showed the studio bosses his ideas about "Cleopatra". Wanger would later explain: "They agreed immediately, because it was the most beautiful project they had ever seen". Wanger continued his campaign for a colossal movie, by choosing Elizabeth Taylor to do "Cleopatra". Initially, Fox was not happy with this decision, but Skouras acknowledged that Taylor could increase the box-office success.

Taylor was filming "Suddenly, Last Summer" in London, when Wanger phoned her in September 1959. She said she would play "Cleopatra", but only if they made some changes to the script, if the movie was shot in England, if the studio used the Todd AO system - invented by Mike Todd - and if the studio guaranteed her a salary of...1 million dollars! Wanger nearly suffocated, and the studio bosses were horrified, but finally agreed. They sent telegrams worldwide, asking distributors if Taylor was worth 1 million dollars. The answer was: YES! While filming "BUtterfield 8", Taylor signed one of the most fabulous contracts of all times: $125,000 per week for the first 16 weeks, $50,000 per week after 16 weeks, 10% of the gross, $3,000 per week for personal expenses, accommodation and meals for her and her family, and business class flights for her, three other adults and her three children, at any time during filming. Taylor's total earnings for this movie was finally more than 7 million dollars (about $50 million in adjusted value inflation).

After Taylor signed, Skouras and Adler asked Rouben Mamoulian for directing the film. The cast was also finalized: Peter Finch (Caesar) and Stephen Boyd (Anthony). However, "Cleopatra" still didn't have a finished script. So, when filming began in the autumn of 1960, there was no structured plan for production. The filming in England proved to be disastrous. The Pinewood Studios did not have the technical capability for such a great production! The ceilings were too small for the interior filming and the sets were not large enough, the restrictions inforced by the unions were too high and the budget had already reached $6,000,000.

The filming was rescheduled for September 1960 and Fox hoped to finish the project until February 1961. However, the low temperatures and high humidity in England made ​​Taylor seriously ill. Mamoulian tried to shoot some scenes without her, but as the script was not finished, there were not much to shoot ... The weather in England was frustratingly unstable and all these complications forced Fox to raise the budget to $7,000,000.

Meanwhile, American doctors were brought in to see Taylor. As her terrible headache and fever persisted, the press began to report on hourly basis about the state of the actress. Allegations ranged from the fact that she had suffered from a nervous breakdown or had a miscarriage. Queen Elizabeth's personal physician put the diagnosis: dental abscess. Taylor's illness alone had cost Fox $2 million, by blocking production. The company's bosses ordered the replacement of Taylor with another actress. Wanger opposed.

After two years of pre-production and just a few weeks' filming, Fox had already spent more than $7 million and "Cleopatra" had only ten minutes of footage! Mamoulian resigned and at Taylor's suggestion the studios hired director Joseph L. Mankiewicz, who had worked with Taylor at "Suddenly, Last Summer" and had also directed "Julius Caesar" in 1953. Thus, Mankiewicz seemed the perfect choice. Fox hired him for $3 million, an unheard salary for a director!

When Mankiewicz saw the script he was terrified. He discovered that the script was "shockingly stupid, a soap opera with a hysterical vamp". Mankiewicz saw Cleopatra as an inteligent femme fatale who had fought with the greatest men of the ancient world. Thus, Mankiewicz ordered a complete rewriting of the script and Ranald MacDougall was hired for this operation. Fox had to throw away the 10 minutes of footage from London along with the 7 million dollars, spent until then!

When it seemed that the film can be resumed, Taylor fell ill again in the spring of 1961. This time, she had pneumonia and suffered an emergency tracheotomy. Her condition was critical and the global media had flocked outside the hospital. The media had alerted the world that Elizabeth Taylor could die at any moment. Obviously, Taylor survived and flew back home in California, just in time to receive the Oscar for the best actress! She was ordered six months of total rest.

When shooting resumed in the fall of 1961, the production was moved to Italy in Rome, where Fox hoped to reduce the production costs as a result of the fact that the work lasted six days per week and that in Italy the weather was hot. Mankiewicz still waited for completion of the script and began to write it himself. The props and costumes were not finished, but Fox remained rigid on the filming start date: September 1961. The production department had to prepare and plan a budget for the film production with only a sketch of the script. Even if Mankiewicz had 132 pages of the script (about 100 minutes of film), it still remained to be written 195 pages, during filming! Mankiewicz worked himself up to exhaustion in the months of the production. He used to shoot all day and at night to write, with few hours for rest and sleep. The sets were built at high cost and stood unused for months because of the lack of production planning. A real shortage of building materials started in Italy, because of the needs of "Cleopatra". The thousands of extras expected for hours, doing nothing for weeks. An army of actors waited for the script and the production schedule. All this wasted time meant money! Fox was appalled by the exorbitant costs. And yet, if all this were not enough, another complication was about to emerge at the horizon - one that created a bigger scandal than anyone could have ever imagined. The Pope in Rome, the U.S. Congress and the world media, everyone felt obliged to intervene!

During the extended pause in the summer of 1961, Caesar's role was attributed to Rex Harrison and that of Anthony to Richard Burton. Burton had just won the Tony Award for his role as King Arthur in "Camelot". The Fox Studios had "bought" him for $250,000. "Cleopatra" meant for him the first successful film in his career and he was more than happy to go to Rome. In spite of being married for 12 years and having two daughters, Burton had a bad reputation when it came to women. Taylor was married to Eddie Fisher at the time - a highly publicized relationship, begun while Fisher was still married to Debbie Reynolds.

At first, Burton didn't like Taylor, referring to her as "Miss Tits". Even if he had never seen any of her films, he thought she was just a Hollywood star as so many others, without talent, and wrongly paid with millions of dollars (Taylor had already received $2 million until September 1961). Taylor knew his reputation as a highly regarded actor, but she also had a bad impression about him. All that was about to change soon. Fox described their first two days of filming together as an "electrifying meeting". Everyone on the set realized that Taylor and Burton actually lived their roles. "There comes a time during a movie when the actors become the characters they play", said Wanger. It was just a matter of weeks until the tabloid media buzz reached the whole world. Paparazzi were chasing them everywhere and their story dominated the headlines around the world. "Le Scandale" led the Vatican to intervene and publicly denounce the adultery. The Taylor - Burton affair became the most discussed topic in all the pubs and clubs in the world, in television shows, in the U.S. Congress and on the halls of the White House etc.

When the filming ended, Fox noted that they had spent 45 million dollars for production and advertising. Mankiewicz delivered more than eight hours of footage to the studio. Fox "flirted" with the idea of distributing the film in two parts, to try to recover as much money as possible, but they feared that by the time they launched the second part, Taylor and Burton would no longer be together! The film premiered in New York on June 11th, 1963, with a duration of 243 minutes. A week later, it was reduced to 222 minutes. The comments were daunting, but the film advertising attracted audiences and the box-office success all over the world. From Japan to Australia, from Italy to the U.S.S.R., "Cleopatra" was the most watched film, becoming the highest grossing film of 1963. In America the film grossed over 48 million dollars, of which only 26 million dollars returned to Fox, insufficient to recover the costs! In 1966, three years after its release, ABC Television paid $5 million for two presentations of the film, and thus "Cleopatra" recovered all its costs! By 1969 it reached 62 million dollars outside America!

Leaving aside the huge costs of "Cleopatra" and the chaos it was produced in, some film critics have been more than enthusiastic. Bosley Crowther of "The New York Times" wrote: "Unless you're one of those skeptics who are predisposed to not like anything, you can not appreciate this brilliant and spectacular film". The American Film Academy was also generous. The film won 4 Oscars, for: Best Picture, Best Art Direction, Best Costume Design, Best Visual Effects. Also, the film was nominated for 5 other Academy Awards, for: Best Picture, Best Actor (Rex Harrison), Best Editing, Best Music and Best Film Soundtrack.

The black clouds that floated over "Cleopatra" from the beginning of its production until its release, the disastrous critics and the Taylor - Burton love affair have overshadowed the film's artistic qualities. For the viewers, the Cleopatra's story in the film was of no importance...The audience was more interested in the love between Taylor and Burton, than the love between Cleopatra and Marc Anthony. The dialogues in the film were brilliant and intelligent, the show on screen was great, but what mattered was the surreal beauty of Elizabeth Taylor and her love for Richard Burton. Finally, Fox has recovered its money and profited. After 1969 Fox no longer released public statements about the ever growing profits of "Cleopatra".

FILM TITLE
"CLEOPATRA" (U.S.A./20th Century Fox/1963)

PROMO
"The most awaited film, the most talked about film ever made" (Fox).
The most expensive film ever produced in Hollywood: $45 million (more than $320 million in adjusted value inflation), until "Avatar" by James Cameron. Some say it still is the most expensive.

OVERVIEW
In 48 B.C., Caesar pursues Pompey from Pharsalos to Egypt. Ptolemey, now Egypt's sovereign after having chased away Cleopatra, his older sister, tries to please Caesar by giving Pompey's cut off head as a gift. To win the support of Caesar, Cleopatra, hiden in a carpet, is brought by Apollodorus in front of Caesar. Caesar falls madly in love with Cleopatra, and after banishing Ptolemey, he declares Cleopatra as Egypt's sole sovereign and has a son with her​​, Caesarion. But Caesar should return to Italy. Caesar and Cleopatra will reunite on the occasion of the spectacular Egyptian Queen's entrance in Rome, but Caesar is assassinated shortly thereafter, on the Ides of March, and Cleopatra goes back to Egypt. When later Marc Anthony meets Cleopatra at Tarsus on the board of her ship, he also falls in love with Cleopatra and became its military ally. To strengthen his position in Rome, Anthony marries Octavia, the sister of Octavian, the future emperor Caesar Augustus. This marriage does not satisfy anyone: Cleopatra is angry, and Anthony, tired of his wife, returnes to Egypt. There, he marries Cleopatra in a public ceremony. Later, Octavian defeats Mark Anthony at the Battle of Actium. Alarmed, Cleopatra withdraws her fleet and takes refuge in her tomb. Falsely informed that Queen Cleopatra is dead, Anthony stabs himself. Carried to her grave, he is living his last moments in the arms of the Queen. In desperation, Cleopatra kills herself, bitten by a venomous snake.

CAST
Elizabeth Taylor (Cleopatra), Richard Burton (Mark Anthony), Rex Harisson (Caesar), Pamela Brown (Priestess), Hume Cronyn (Sosigenes), Cesare Danova (Apollodorus), Andrew Keir (Agrippa), Martin Landau (Rufio), Roddy McDowall (Octavian), Michael Hordern (Cicero).
DIRECTED BY
Joseph L. Mankiewicz.
Rouben Mamoulian was the first director of the London production. Darryl F. Zanuck was in charge of post production and fired J.L. Mankiewicz; Mankieiwicz was subsequently rehired, because Zanuck was unable to edit "Cleopatra".
SCREENPLAY
Joseph L. Mankiewicz, Ranald MacDougall, Sidney Buchman, Ben Hecht, after historians Plutarch and Suetoniu and after the book "The life and times of Queen Cleopatra" by Carlo Mario Franzero.
PRODUCED BY
Walter Wanger, Peter Levathes.
Darryl F. Zanuck took over 'Cleopatra' after he fired Walter Wanger and Peter Levathes.
In association with 20th Century Fox: MCL Films and Walwa Films.
MUSIC
Alex North.
CINEMATOGRAPHY
Leon Shamroy.
PRODUCTION DATES
between September 1960 - March 1963.
RELEASED
June 1963.
COLOR
DeLuxe.
DURATION
243 minutes.
GENRE
historical drama.

NOMINATED at
- Oscar for Best Picture, Oscar for Best Actor (Rex Harrison), Oscar for Best Editing, Oscar for Best Score, Oscar Best Soundtrack;
- Golden Globe for Best Film, Golden Globe for Best Actor (Rex Harrison), Golden Globe for Best Actor (Roddy McDowall).
AWARDS
- Oscar for Best Picture, Oscar for Best Art Direction, Oscar for Best Costume Design, Oscar for Best Visual Effects.

TRIVIA
- Some employees at Cinecitta studios in Rome stoled props and equipment worth several million dollars;
- The female extras went on strike to demand protection against the Italian men that made "advances". The studio eventually hired a special guard to protect them;
- Rex Harrison had a clause in the contract stipulating that whenever a picture of Richard Burton appears on a poster, his was to appear, too. A giant poster was on Broadway that featured only Burton and Elizabeth Taylor. After Harrison's lawyers complained, the studio put the image of Harrison in a corner of the panel;
- The film was mistakenly considered one of the biggest financial flops of all time; the reality is quite different: the movie recovered its money, and pulled out a considerable profit, despite the unimaginable costs. "Cleopatra" was one of the highest grossing films of the 1960s;
- Joseph L. Mankiewicz said that the best scenes were cut and there are over 120 minutes of film missing;
- Elizabeth Taylor costumes' allocated amount was worth $194,800, the highest ever assigned for an actress in a single film. Among them there was one dress made of 24 carat gold;
- Director Joseph L. Mankiewicz was fired during the editing and post production, but Twentieth Century Fox soon realized that only he knew how to edit the film, so he was brought back to complete the project.
- Martin Landau learned Italian during filming;
- The scar from Elizabeth Taylor's tracheotomy surgery is visible in several scenes in the film;
- To finance "Cleopatra", 20th Century Fox sold several studio lots back in Los Angeles;
- The super production used 79 sets and 26,000 costumes;
- Joseph L. Mankiewicz told Martin Landau as he had so much footage, that he could make a separate film, called "Other adventures of Octavian and Rufio"
- Cleopatra's ship had cost $2 million (in adjusted value inflation);
- When the film was cut from 6 to 4 hours, there were still 49 pages of script to be shot, to make sense of the film!;
- To film the naval battle of Actium, 20th Century Fox had to rent and build so many boats, that it was said at the time that 20th Century Fox had the world's third largest naval fleet!;
- The Roman Forum built at Cinecitta was three times larger than its actual size;
- Initially, Egypt refused Elizabeth Taylor's entry into the country because she had converted to Judaism. The authorities revised their view, realizing that a rain of dollars would fall over Egypt and on the banks of the Nile along with cast and crew; yet, Taylor visited Egypt a decade later.
- Hume Cronyn was employed for 10 weeks and eventually spent 10 months filming "Cleopatra";
- At one time, the film production "swallowed" $70,000 per day;
- When shooting the famous scene of Cleopatra's entrance into Rome, thousands of enthusiastic extras began to shout "Liz! Liz!", instead of "Cleopatra! Cleopatra!"
- When Marilyn Monroe's film "Something's Got To Give" was canceled and 20th Century Fox fired her, "Cleopatra" remained the only film in production at 20th Century Fox. Obviously, a lot of other bills were paid on behalf of the film;
- One of the biggest allies of Joseph L. Mankiewicz was Rex Harrison, who at one time, offered his own salary to help finish the film on their own. Mankiewicz refused;
- They say that when the studio executives have suggested that Joan Collins, Susan Hayward and Dana Wynter would be very good to replace the capricious Elizabeth Taylor, Spyrous Skouras (the studio boss) shouted: "Cleopatra must have tits, Taylor's tits mean at least $2,000,000 more for us!";
- Fox's marketing campaign proved good: before the premiere, the movie was already sold for 4 months ahead.

Watch TRAILER here.

Elizabeth Taylor in "BUtterfield 8" (1960)

Elizabeth Taylor in "BUtterfield 8" (image from JSR Pages)




















REVIEW:
At the end of the 1950's decade, Elizabeth Taylor was the greatest movie star in the world. Her movies were mega-hits at the box office, and she was nominated every year at the Oscars for her performances in "Raintree County" (1957), "Cat on a Hot Tin Roof" (1958) and "Suddenly, Last Summer" (1959). Taylor's personal life was as dramatic as her films. After a happy marriage with her third husband (Mike Todd), that was suddenly ended by his tragic death in a plane crash, Taylor begins a love affair with Todd's best friend, singer Eddie Fisher. Thus, in a few months, Taylor, the woman for whom the whole America suffered, moves on to the image of a home wrecker, blamed by the entire public opinion. In 1959, after many years at M.G.M., Taylor was coming to the end of her 18 years long contract. According to the agreement made ​​by Mike Todd, Taylor thought she was free to accept the most stunning offer, made by 20th Century Fox: one million dollars plus 10% of the gross to star in Cleopatra. Hoping to take advantage of Taylor's reputation and her box-office clout, M.G.M. announces that if she accepts to play in "BUtterfield 8", then she is free. Taylor hated this but she was forced to accept. By doing so, she demanded ​​drastic conditions: the shooting was to be done in New York, Helen Rose was to make her costumes, Sydney Guilaroff was to do her hair and Eddie Fisher, her new husband, was to be given a role in the movie.

The bestseller "BUtterfield 8" (1935), by John O'Hara, has been inspired by a story that talked about the discovery of the lifeless body of a young woman on a beach in New York. The circumstances of her death have never been elucidated, but O'Hara - based on this tragedy - imagines the life of that woman in New York, in the early 1930's, during the Prohibition and the great economic depression. The novel's action covers a period of almost a week, it is alert and kaleidoscopic. The film rights were purchased by M.G.M. many years ago. "BUtterfield 8" was considered a shocking book, being banned in Australia until 1963. When released, the film was a mega-hit. Its title (uppercase "B" and "U") comes from how to form a U.S. phone number in those years - now a modern "288" should be used instead of "BUtterfield 8", which was a telephone network in Manhattan's Upper East region. When one formed "BU", the figures "2" and "8" were actually formed, equal to "288" - the first three digits from a total of seven.

FILM TITLE
"BUTTERFIELD 8" (U.S.A./M.G.M./1960)

PROMO
"She is the most desirable woman in town, and the most available. All you have to do is call ... BUtterfield 8" (MGM).

OVERVIEW
"I was the biggest slut of all time!" says Elizabeth Taylor in the role that brought her the Oscar. Taylor plays Gloria, a top model with questionable morals who discovers the last chance of living a true love when she meets Weston Ligget, with whom she spends an entire week. He had an unhappy marriage (he married for money, and he hates himself for that). Gloria and Weston are in love, but before they find happiness, they must confront what is wrong with themselves. "BUtterfield 8" is a high-class melodrama, colorful, with elegant clothes, spontaneous responses, disturbing emotions, but above all, the film is crossed by a heartbreaking sadness. No other actress could have played simultaneously anger and sincerity the way Elizabeth Taylor does. The film seems encysted in the 30's - 50's morality, but the interpretation of Gloria by Elizabeth Taylor is a mixture of pain, anger and vulnerability, a heroine who goes beyond her times and morals. It's easy while watching this film to realize why Elizabeth Taylor was considered the most beautiful and the sexyest woman in the world. Her presence on the screen is great. "BUtterfield 8" is a really interesting film, although it is very depressing and quite predictable.

CAST
Elizabeth Taylor (Gloria Wandrous), Laurence Harvey (Weston Liggett), Eddie Fisher (Steve Carpenter), Dina Merrill (Emily Liggett), Mildred Dunnock (Mrs. Wandrous), Betty Field (Mrs. Fanny Thurber).
DIRECTED BY
Daniel Mann.
SCREENPLAY
John Michael Hayes, Charles Schnee, after John O'Hara's novel.
PRODUCED BY
Pandro S. Berman.
PRODUCTION DATES
between January and March 1960.
RELEASED
November 1960.
COLOR
Metrocolor.
DURATION
109 minutes.
GENRE
drama.

Watch THE OSCAR CEREMONY WITH ELIZABETH TAYLOR here.

NOMINATED at
- Oscar for Best Picture (Charles Harten, Joseph Ruttenberg);
- Golden Globe for Best Actress (Elizabeth Taylor).
AWARDS
- Oscar for Best Actress (Elizabeth Taylor).

TRIVIA
- Elizabeth Taylor hated this movie, and even after learning that it is a great success, she declared: "I still tell you that this movie is a mess!"
- critics have agreed with Elizabeth Taylor and demolished the film, but praised the actress for her interpretation;
- Many scenes of Eddie Fisher were cut, considered to be mediocre and unconvincing;
- when Elizabeth Taylor saw the film - a preview at the M.G.M. - she threw her shoes at the screen and wrote with lipstick on the producer's door: "No Sale", like her character in the film;
- for this movie, Elizabeth Taylor received 125,000 dollars;
- Elizabeth Taylor's life-long friend, Shirley McLaine, was also nominated for an Oscar that year, and when she learned she had lost, she said: "I lost to a tracheotomy", referring to the wave of sympathy following Elizabeth Taylor's near death illness in London;
- Pandro S. Berman was the producer who produced the film that made ​​Elizabeth Taylor a star back in 1944: "National Velvet".

Elizabeth Taylor in "Suddenly, Last Summer" (1959)

Elizabeth Taylor in "Suddenly, Last Summer" (image from JSR Pages)




















REVIEW:
"Mike is dead, and I'm alive! What do you expect me to do: sleep alone?" - this is what Hedda Hopper claimed Elizabeth Taylor told her when the scandal broke. A nation wide scandal began in 1958, generating a huge social phenomenon across America and throughout the western world: tabloids and serious newspapers, television and civil society leagues, professional associations and the Hollywood community, everybody was monitoring on a daily basis the attitude of the Americans regarding the love triangle "Liz - Eddie - Debbie" ! The evolution of this scandal would overshadow every political or cultural event, and even Khrushchev's visit to America became uninteresting for the newspapers and television. Mike Todd's widow had fallen in love with Todd's best friend, singer Eddie Fisher. And Eddie Fisher was the husband of Debbie Reynolds, the best friend of Elizabeth Taylor ! And Eddie Fisher had left Debbie Reynolds and their two children to marry Liz Taylor ! The love triangle, as expected, divided America into two parties: one that suffered with Debbie Reynolds and the other that inclined to forgive Liz Taylor. Nobody sympathized with Eddie Fisher, whose artistic career collapsed. Jaqueline Kennedy used to say: "If I run away with a man, everyone hates me, except he's Eddie Fisher". It seemed only the man came out wrinkled from this scandal. Debbie Reynolds began to be better paid for her movies, while Liz Taylor got an irresistible offer: $500,000 for her next role in "Suddenly, Last Summer". Debbie Reynolds will testify that no one could have ever resisted to the most beautiful woman on earth, so she understood Eddie Fisher's gesture, saying: "Hell, nobody could not love her! Even I voted for her at the Oscar !".

"This film was done by degenerated people, obsessed with rape, incest, homosexuality and cannibalism" (wrote Bosley Crowther, film critic). Gore Vidal (co-screenwritter) used to tell that such critics have helped ​​the film to become a mega-hit, basically forcing everybody to break into public theaters. Elizabeth Taylor gives one of her finest performances ever. Her role in this film is considered by many critics to be her best during her long career.

FILM TITLE
"SUDDENLY, LAST SUMMER" (U.S.A./Colombia Pictures/1959)

PROMO
"Suddenly, last summer, Cathy realized that she was used for something evil!" (Columbia Pictures)

OVERVIEW
New Orleans, 1937. Mrs. Violet Venable (Katharine Hepburn), one of the richest women in town, plans to finance a state hospital with $1 Million, provided that Dr. John Cukrowitz (Montgomery Clift) operates a lobotomy on her niece, Catherine (Elizabeth Taylor). Mrs. Venable is destroyed after the death of her son, the poet Sebastian Venable, with whom she used to make their vacations around the world, with the exception of the last summer, when, suddenly, he left with his cousin, Catherine, in Spain, at Cabeza de Lobo. Catherine had a nervous breakdown after the day Sebastian died in mysterious circumstances. Since then, Catherine has been locked into an asylum. Dr. John Cukrowitz accepts the proposal of the rich widow, but he first wants to find out the truth from Catherine. The young woman has amnesia and is under the effect of medication, so that she can not provide credible details about what happened. John, however, continues to try to communicate with Catherine. The result is spectacular, and the end is apotheotic. The final minutes of the film are shocking and anthological.

CAST
Elizabeth Taylor (Catherine Holly), Montgomery Clift (Dr. John Cukrowicz), Katharine Hepburn (Mrs. Violet Venable), Albert Dekker (Dr. Hockstader), Mercedes McCambridge (Mrs. Holly), Gary Raymond (George Holly).
DIRECTED BY
Joseph L. Mankiewicz.
SCREENPLAY
Gore Vidal and Tennessee Williams, after Tennessee Williams's play.
PRODUCED BY
Sam Spiegel.
PRODUCTION DATES
between May to September 1959.
RELEASED
December 1959.
DURATION
114 minutes.
GENRE
drama, thriller.

NOMINATED at
- Oscar for Best Actress (Elizabeth Taylor), Oscar for Best Actress (Katharine Hepburn), Oscar for Best Art Direction (Oliver Messel, William Kellner, Scott Slimon);
- Golden Globe for Best Actress (Katharine Hepburn);
- Golden Laurel for Best Actress (Katharine Hepburn), Golden Laurel for Best Music (Buxton Orr, Malcolm Arnold).
AWARDS
- Golden Globe for Best Actress (Elizabeth Taylor), Golden Laurel for Best Actress (Elizabeth Taylor).

TRIVIA
- Katharine Hepburn was depressed by the increased attention given by the director to Elizabeth Taylor and by the fact that she was forced to stay away from her lover, Spencer Tracy;
- Elizabeth Taylor was depressed by the relationship with Eddie Fisher, because she had already understood the huge mistake she had done;
- Katharine Hepburn and Elizabeth Taylor were both angry at the director and the producer because of the way they treated Montgomery Clift;
- Montgomery Clift was already under the influence of drugs and alcohol, often behave inconsistently, forgetting movie lines;
- Once again the studio wanted to replace Montgomery Clift, but Elizabeth Taylor opposed;
- Katharine Hepburn is said to have waited to finish the last day of shooting and then she spat in front of the director for his behavior towards Monty Clift;
- Both Elizabeth Taylor and Katharine Hepburn were nominated for Oscars, but both lost to Simone Signoret;
- The film was a mega box-office success and the image of Elizabeth Taylor in a bathing suit is emblematic for the American pop culture;
- Debbie Reynolds and Elizabeth Taylor became friends again after several years, and they even played together in a movie!
- The daughter of Debbie Reynolds and Eddie Fisher, Carrie Fisher, was to later become the famous Princess Leya in "Star Wars";
- Also in 1959, "Some Like It Hot" with Marilyn Monroe was released. The success of both films emphasized the notorious rivalry between the two superstars (Taylor and Monroe).

Watch TRAILER here.

Elizabeth Taylor in "Cat On A Hot Tin Roof" (1958)

Elizabeth Taylor in "Cat on a Hot Tin Roof" (image from JSR Pages)




















REVIEW:
Elizabeth Taylor married Mike Todd in Acapulco in February 1957, just 3 days after her divorce from Michael Wilding. Todd was 24 years older than her, but for Elizabeth Taylor, Todd was the only man who was fit to her temperament. In August 1957 Elizabeth Taylor gave birth to Liza Todd. Mike Todd was the famous movie producer of "Around the World in 80 Days" and the inventor of Todd AO system. On March 22, 1958, shortly after the start of the production at "Cat On a Hot Tin Roof", the couple's private jet - "The Lucky Liz" - crashed near Grants, New Mexico and all its passengers were killed. Among them: Mike Todd...Only by chance Elizabeth Taylor stayed home, knocked out by a fever. Her happy marriage to Mike Todd ended tragically after only 418 days. Yet, with all this tragedy, Elizabeth Taylor returns to the set. What has emerged is one of the best movies ever made​​.

Makeup artist William Tuttle was supposed to do nothing because he had the chance to work with the natural beauty and sexuality of the lead actors, Paul Newman and Elizabeth Taylor, that were shining by themselves. But after the tragic death of Mike Todd, Tuttle had to remove all signs of pain and desolation from the face of Taylor. The fact that on screen Taylor was able to be quite different from the real life Taylor is proof both of the actress' talent and of the entire team of the MGM production.

"Cat On a Hot Tin Roof" was an adaptation of Tennessee Williams's tragic play. Initially, M.G.M. wanted James Dean in Brick's role, the former American football star that became an alcoholic after the despair caused by the death of his friend Skipper. His passion for alcohol was induced both by his feelings for Skipper and by his wife's betrayal, the beautiful Maggie, who cheated on him with...Skipper. But the scriptwriting took so long for Tennessee Williams, that in the meantime, James Dean died in a car accident and the role was played by Paul Newman, a new young star, who will also take over several roles initially planned for James Dean. This delay led to the replacement of Grace Kelly, who meanwhile married and became Princess of Monaco. The script was sent to Elizabeth Taylor, who was fast to sign in. She had just finished "Giant" and "Raintree County", and urged by her third husband, Mike Todd, Taylor was eager to strengthen her position as a serious actress. Todd managed to negotiate a new contract with MGM, where it was stipulated that Taylor owed them only one more film and then she was to become independent! Unfortunately, this contract was a "gentlemen agreement" that was not recognized by MGM after Todd's death.

Todd's funeral took place in Chicago and were a nightmare. Tens of thousands of fans crowded the cemetery, hoping to be close to the famous widow. After the funeral, Taylor locked herself in her house, and director Richard Brooks filmed everything he could shoot without Taylor. One afternoon, three weeks later, Taylor visited the set and asked if she could return to work. "I think Mike would have wanted me to finish this movie" said Taylor. Brooks arranged to start shooting immediately. Seeing how much weight she had lost and knowing that Taylor refuses to eat, Brooks ordered real food to be brought on set to shoot a scene where dinner was served. Then he ordered another double and another double again to be taken, forcing Taylor to eat.

Despite her personal pain and despair, Taylor plays with passion and manages to give one of her best and most famous of her roles. But, at the time when the film came to be released, Taylor was already facing another problem. In post-production, three months after Todd's death, Taylor fell in love with singer Eddie Fisher, the best friend of Mike Todd. The scandal was huge. Debbie Reynolds and Eddie Fisher divorced. Eddie Fisher's career was destroyed. Instead, "Cat on a Hot Tin Roof" became a mega hit at the box office. When Taylor was nominated for an Academy Award, Debbie Reynolds said she would no longer attend the ceremony. Ironically, both Taylor and Reynolds began to be paid increasingly better for their films. The only one who took the blame from the public as well as from the industry was Fisher.

"I do not live with you" says Maggie (Elizabeth Taylor) to Brick (Paul Newman). "We occupy the same cage, that's all". The tough emotional situations and dialogues of Tennessee Williams's play, that won the Pulitzer Prize in 1955, are like a tropical storm with outstanding performances in this film. Its taboo subjects made it number one in the 1958's box office. Paul Newman received his first Oscar nomination for the role of the former sportman, Brick. In a role that marked the transition to her professional maturity, Elizabeth Taylor received her second Oscar nomination. The film was also nominated in other six categories at the Oscars. "Cat on a Hot Tin Roof" is downright an incendiary film.

FILM TITLE
"CAT ON A HOT TIN ROOF" (U.S.A./M.G.M./1958)

PROMO
"One pillow on her bed and only one desire..." (M.G.M.).

OVERVIEW
A distribution with "heavy" names from Hollywood at the peak of their glory and beauty. Maggie is the "cat" in the title, a beautiful, charismatic and ambitious woman. She is Brick Pollit's wife, and the "hot tin roof" is the tense situation from a 50's Southern traditionalist family. Brick is a former successful athlete, now an alcoholic slacker, but also Big Daddy's favorite son. Big Daddy, a rich Southerner with dictatorial tendencies, has cancer and has very little time to live, but Gooper (his elder son) and his wife (Mae) are doing everything to hide the true situation. What Gooper does not hide is the fact that he wants all the inheritance for him, but Big Mama can not accept this reality. A sincere affection for Big Daddy is coming from the "black sheep" of the family, Maggie and Brick. The atmosphere generated by the lies and by the conflicting interests of each member of the clan are doubled by the sexual tension between Maggie and Brick, the latter being unable to touch his wife. The quarrels between the two and the bitter reproaches they make to each other, as well as the interference of a selfish and insensitive character such as Big Daddy, all these trigger the drama. The end is apotheotic and the characters manage to elicit their masks and the spider web of lies unravels. Avoiding reality, a characteristic for southern society, is no more a solution for survival. Although the truth may, in the words of Maggie the Cat, be as dirty as a lie.

CAST
Elizabeth Taylor (Maggie Pollitt), Paul Newman (Brick Pollitt), Burl Ives (Big Daddy Pollitt), Jack Carson (Gooper Pollitt), Judith Anderson (Big Mama Pollitt), Madeleine Sherwood (Mae Pollitt).
DIRECTED BY
Richard Brooks.
SCREENPLAY
Richard Brooks and James Poe, after Tennessee Williams's play.
PRODUCED BY
Lawrence Weingarten.
COLOR
Metrocolor.
DURATION
108 minutes.
GENRE
psychological drama.
PRODUCTION DATES
between March - May 1958.
RELEASED
September 1958.

NOMINATED at
- Oscar for Best Actress (Elizabeth Taylor), Oscar for Best Actor (Paul Newman), Oscar for Best Director (Richard Brooks), Oscar for Best Screenplay (Richard Brooks, James Poe), Oscar for Best Cinematography (William H. Daniels), Oscar for Best Film;
- BAFTA for Best Film, BAFTA for Best Actress, BAFTA for Best Actor;
- DGA For Best Director;
- Golden Globe for Best Film, Golden Globe for Best Director, Golden Laurel for Best Actor;
- WGA for Best Screenplay.

AWARDS
- Golden Laurel for Best Actress (Elizabeth Taylor).

TRIVIA
- Before he died, Mike Todd had managed to negotiate with M.G.M. so that after "Cat on a Hot Tin Roof", Elizabeth Taylor would do one more film under contract. Mike Todd was going to produce himself all the films of Elizabeth Taylor. After his death, M.G.M. did not recognize the "gentlemen agreement";
- Due to censorship, all references to homosexuality in the play and all the obscene words were removed (the play refered to the homosexual relationship between Brick and Skipper);
- Lana Turner and Grace Kelly were considered for the role of Maggie;
- Burl Ives (Big Daddy) and Madeleine Sherwood (Mae Pollitt) have resumed their roles played on Broadway in 1955;
- Veteran film director George Cukor refused the project because all the references to homosexuality were removed;
- Tennessee Williams wrote the role of Big Daddy having Burl Ives in his mind;
- In the 50's, the serious drama movies were filmed in black and white, but the director convinced M.G.M. Studios that the violet eyes of Elizabeth Taylor and Paul Newman's blue eyes had to be filmed in color;
- The film has returned seven times more money than was invested in it;
- Elizabeth Taylor received $100,000 and Paul Newman only...$25,000. However, for Elizabeth Taylor was a salary decrease, considering that for "Giant" she had received $175,000;
- The staff at M.G.M. knew that during rehearsals Elizabeth Taylor did not show her emotions. Paul Newman, who was only at his second lead role in a movie, asked Richard Brooks: "That's all Liz can give?". The director replied: "Wait till we start filming and you'll be shocked".

Watch TRAILER here.